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Two weeks ago, I gave a presentation on "Stoicism, Daoism, and Apathy" at the Melbourne Agnostics Society, which was attended by over fifty people. I have finally managed to compose my notes into something approximating a transcript of the event. At over 5,500 words, the presentation took about an hour to deliver and was followed by a Q&A session that ran for at least another three hours afterwards. Apparently true to their tradition, philosophers like to talk, and frankly, I was mentally quite exhausted at the end of it. Still, I am hardly going to spend this much effort if I didn't care very deeply about the subject and the potential for synthesis of these two great philosophical traditions.

However, it doesn't stop there. I've nailed my colours to the mast, so to speak, and visited the Melbourne Tattoo Company, who also did my Math-Rat-Tat three years ago. I had a couple of design pieces that combined my Stoic and Daoist interests, which were expertly compiled by my dear friend, Lara, and then etched into my skin by a talented young man named Jake. With plentiful etchings, he is a good walking advertisement for his craft. As is always in my taste, the design has many layers of symbolism which require elaboration.

The two-part taiji diagram, commonly known as yinyang ("dark-light"), represents the essential unity and inclusion of apparent opposites that are in dynamic motion. Instead of the seeds, however, I have alternating Stoic flames (a design originally from DT Strain), representing both the arche (basic state) and panta rhei (everything flows) from Heraclitus. When viewed as phase states, rather than fixed "elements" (c.f., Chinese wuxing), "fire" (i.e., plasma) was the first state of the universe. The tips of the flames also represent the Stoic cardinal virtues: Prudence, Justice, Courage, and Temperance of Stoicism, with the flame bodies themselves the three treasures of Daoism: Compassion, Frugality, and Humility.

Finally, the taiji is surrounded by a Hellenic meander, itself named in the river in contemporary Turkey. Apart from the varied changes in direction that are part of the flow, it also serves as a border from which Okeanus, representing the great river that both encircles the world and separates our time in existence from the period outside it. Memento Mori! If you remember that you will die, you can live with purpose. Do not postpone what matters, avoid the distraction of things that don't matter, and focus on virtue. Nemo vir est qui mundum non reddat meliorem!
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It seems that I have some ink permanently etched in my skin, specifically on the inner-right forearm, a rattus norvegicus with a mathematical flowchart following its body. My interests this body art are, as always, multi-layered and complex. Firstly, rattus norvegicus is pretty obvious; I had some twenty-two pet rats from around 2003-2014, and I loved each of these clever, emotional, and deeply empathic creatures dearly. Once I gave a presentation where I tried to cram in as much of my knowledge of these amazing creatures. This is my tattoo in memory of my animal companions. As companions, I am deeply saddened that rattus' are subject to often cruelty in experimentation. Kristin Andrews' essay, "Rats are us" points this out in some detail and is a very worthy read.

In particular the equations I use on rattus represent a mathematical flowchart of particular experiments that are as significant as they are uncaring. It involved dropping rats into water and seeing how long they would swim before they drowned. The domestic rats would swim for an hour or more, whilst their wild cousins, just as competent swimmers if not more so, died within minutes. The difference? The domestic rats believed in their human carers. Too strange? Well, then another set of domestic rats were tested, and then rescued at the last moment. Once they recovered, they were put in the water again. This time they would swim literally for days, obviously terrified for their life, but desperate with the hope that they would be rescued a second time. They weren't, of course. Science must progress and who cares about a drowned rat? So this is also my animal welfare tattoo. Rats are us.

Also, I love mathematics; it is the language of nature, so to speak, and carries great beauty and elegance in its abstract simplicity and rigorous logic. This is also my mathematical naturalism tattoo and thus the equation; a beginning (alpha, the nose of the rat), exists with a finite time series (∃t=0..n<∞) of life that is confronted by normal distribution challenges that are increased with time (time wounds all heels ) and are reduced through resilience (inner strength, hope, etc) (Cn=𝒩 (µ, σ²)+(t-r)). If the value is too great it comes to a full stop resulting in the end (omega). Otherwise, there is a continuation, which continues the alpha-cycle. The rats, like people, can overcome many challenges if there is even a glimmer of hope, it spurs their inner strength to reach out for support. Rats are us.

The location is also important. I chose the right arm because if I ever do encounter a challenge that is greater than my hope and resilience, it will be with my own hand that I make the final decision (unfortunate accidents withstanding). I know that some prefer the semi-colon, and I respect that. But I have chosen a continuation sequence instead. For me (being mathematical rather than literary in this instance) it represents that almost every single day I have the question of continued existence confronting me without respite, an eternal recurrence. So far, I have followed the continuation sequence, a sequence of semi-colons if you like. And almost every day? Yes, there have been times of very notable exceptions, and perhaps one day I will explain - but the time is certainly not right at the present. For today, I have a math rat tattoo. Rats are us.

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Diary of a B+ Grade Polymath

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