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I don't think many Australians fully understand the importance of China to the ongoing economic development of both countries. Many might be aware that China is Australia's biggest trading partner, both in terms of imports and exports. As far back as 2019-2020, according to the ABS, 27% of all imports came from China and 39% of all exports went to China, and this has been increasing every year. Iron ore, coal, and education are notable exports, but following the China-Australia Free Trade Agreement (ChAFTA), agricultural produce and pharmaceuticals have also become popular. Imports have mainly consisted of telecommunications equipment and household appliances. Whilst imports themselves are likely to flatten (households can only have so many appliances, a person can only have so many mobile phones and computers), China's dedication to transforming their economy means that "green steel" is on the agenda, produced by hydrogen rather than coal furnaces, and produced here in Australia - but only if we develop the renewable energy to power such facilities. Our economic future is closely tied to China's, and there is really no alternative.

I have emphasised this point in my president's report in the October newsletter of the Australia-China Friendship Society - along with writing reviews of two recent and impressive Chinese films: "Caught by the Tides" (2024) and "Resurrection" (2025). The former I saw in Darwin a few months ago, and it weaves a long-spanning and troubled romantic story with over twenty years of footage, making it part fiction, part historical footage. The latter I saw recently at The Astor as part of the Melbourne International Film Festival, and combines several short period films with a time-travelling science fiction thread whilst referencing several other films in content and style. Further, in my role, I have recently had the opportunity to discuss matters with a number of delegations from China.

A little over a week ago, I hosted an arts and culture delegation from the Chaoyang district of Beijing and took them to the National Gallery at Federation Square to give a tour and explanation of the development of Australian art. They are very keen on following up with an exchange programme. Then, a few days ago, representatives of the Jiangsu Friendship Association and I, on behalf of the ACFS, signed a Memorandum of Understanding with great fanfare at the Chinese Museum, as a photo exhibition on Chinese modernisation in Jiangsu was being launched by the Jiangsu Federation of Literary and Art Circles and Creative Victoria. Last night, I enjoyed the company of the Quanzhou Trade Delegation at a wonderful dinner hosted by the Fujian Association of Victoria, and I gave a brief speech on behalf of the ACFS.

It's one thing to be cordial in a transactional business relationship. But, as I said in my speech last night, relations between people are more important than relations in business, and friendship is more important than contracts. Friendship with China means that both parties will engage in respect, understanding, and accepting differences. It means being honest, open, and inviting. The bellicose attitude of some Australians, including Australian politicians, towards China and the Chinese demeans our national character and, really, is quite embarrassing. Fortunately, through its seventy-five-year history, the Australia-China Friendship Society has stood for building relationships, building partnerships, and building friendships. We have our Annual General Meeting at the end of this month, 1-3 pm. Sunday 30 November 2025. Maybe some of you with a similar mind should come along.
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The past several days, courtesy of my great book giveaway, I've had several bookish visitors gracing my abode. The sort of person who is interested in my academic books tends to be a person with a vibrant curiosity, so it has inevitably led to long and fertile discussions across the arts, the sciences, and the laws (to use the contemporary trivium). This has included Elliot B., Marc C., Liza D., Kate R., and, as interstate visitors, Dylan G., and Adrian S. It's been several years since I last saw Dylan, a former co-worker from VPAC days, so that was an excellent evening. Inverting the style, I visited Brendan E.'s new abode in Northcote, where he gifted me a first print copy of Wired magazine, which now, appropriately, sits next to my Mondo2000 User's Guide; cyberpunk forever. I have further updated my free book giveaway, this time with a small mountain of texts in computer science.

Other interstate visitors cam the week previous in the form of Lara D., and Adam B., from the Territory, and we had a glorious time at the French Impressionists at the NGV, after joining Anton W with a visit to the State Library where there is an excellent and highly recomended Misinformation exhibit. Of course, the works of the famous artists were at the NGV; Monet, Renoir, Degas, Cézanne, et al, but the one which really caught my attention was Fantin-Latour, whose simple subject matter made his skill in texture all the more clear. A few days later I would visit the NGV at Federation Square with Liana F., which always has excellent indigenous artworks, and the evening previous Liza D and I ventured to the Northcote Social Club (fine venue) to see Guy Blackman from Chapter records perform for his first album in "quite a while". His lyrical talent is really quite special, and his stage presence curiously enticing, and the self-deprecating humour pleasing. Certainly, this will be worthy of a Rocknerd review.

Going further back, I was thoroughly charmed to attend Nitul D's family gathering for Ganesh Chaturthi Puja, and a few days later, I would join him again, attending the 2025 Hugh Anderson Lecture by Marilyn Lake "Rapprochement with China" at the Royal Historical Society. Dr Lake was able to give some impressive history, a great deal of regional context and, of course, had a few words to say about AUKUS. It was the first time I'd been in the RHS building, a late-deco establishment and once a military hospital. Another one of Melbourne's hidden gems. On similar subjects, I must mention Dr Wesa C's birthday gathering last week at Vault Bar, a delightful little place and, as the name suggests, a former bank vault. It should be mentioned that Wesa is a bit of a hidden gem herself, and I had no prior knowledge of her singing talent!
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I've boarded the silver bird and landed in Darwin, where I'll be staying in Mr Blue Sky in Darwin City, which I still have to remind myself that I am a co-owner. Co-owner Lara and tenant Adam have been wonderful hosts to me, with Cocoa rabbit, the 11-year-old spritely dwarf, providing great entertainment as always. The weather here is of magnificent quality; consistently in the high twenties, clear skies, and gentle cool breezes off Darwin harbour with delightful views across to the National Park. From this vantage point, it's all rather idyllic.

There are nominal household matters to sort out, but it is a convenient time for the Darwin Festival. I have a lifelong interest in aesthetics, which I have to grudgingly accord myself a modest analytical ability. From metaphor, referentiality, creativity, technique, persistence, and connections, I must also confess some apparent predictive skill when evaluating the future success of self-proclaimed artists. Darwin's contribution to the fine arts is not exactly famous, being small and distant, but there are plenty of opportunities in the programme which will receive a fair review in the week to come.

In the meantime, I was blessed yesterday with a second opportunity to visit to the Menzies School of Health Research (Charles Darwin University) (not to be confused with the Menzies Institute for Medical Research (University of Tasmania), let alone the Menzies Research Centre of the Liberal Party. The Darwin Menzies centre particularly interests me as they have a small high performance computing system, which has a few file system and management issues, but nevertheless great to see that it's there! I was hosted by Anto Trimarsanto, a medical researcher in malaria (specifically Plasmodium vivax), who also dutifully informed me that Menzies has an outpost in Timor-Leste. My brain is now working on how to combine these multiple interests.
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Yesterday was the aphelion when the Earth reached the furthest distance from the sun at 157 million km (the closest distance, the perihelion, is 146 million km). It seemed appropriate on that day to describe the relatively flat shape of the solar system and how "flat earthers" need to think bigger. Interestingly, the aphelion and perihelion change with some regularity measured as Milankovitch cycles, which is a driver of long-term climate change. On that topic, I had an interview this week concerning my doctoral progress and grades to date ("mention très bien", to use the Université de Paris system). The next part of my studies is "Climate Change Denialism", which I am sure will be absolutely fascinating, having missed out on doing climate change psychology at the University of Wellington. Speaking of which, I attended a University of Wellingto alumni event on during the week with a Professor of Statistics, Peter Smith, talking on "Fluids in your phones?", about the development of liquid antenna for the next generation of mobile devices. And, to continue the theme, I have been recently offered the role to coordinate alumni events for Murdoch University here in Melbourne.

The week has also witnessed some activities in the aesthetic dimension as well. With an early submission made for Midsumma Festival, I have officially become a producer with my inaugural effort being for Liza Dezfouli's comedy-cabaret "Binosaur". Also, I have ventured out locally with Kate R., twice with aesthetics in mind, once was for Lightscape at the Botanic Gardens, which was beautiful, but rather low numbers due to drizzle, and today for a visit to the National Gallery of Victoria. This evening, I attended the awards ceremony for the Melbourne Poet's Union International Poetry Competition, which featured a marvellous and insightful speech by the well-known anarchist poet, Pi O. Finally, last night I visited ACMI for millihertz producing a rather raw and politically challenging audio-visual production with the descriptive title "Cruise Missile Intersectionality".

To finish the alliterative headings, I will conclude with some reflections on "athletics". Last week, I posted an announcement and a couple of photos of my significant weight loss over the past year (117 to 82 kgs), along with a descriptive essay on how I achieved it. I will point out that I'm not planning to lose anymore, although body composition still has room to change. I've had to hunt through my high school records - four decades in the past - to find when I had a similar weight and, in the process, have discovered my athletic records of the time, which were "quite good". I was among the best in the school for medium and long-distance running, plus I played cricket, rugby, football, and volleyball at an interschool level. But ultimately, I couldn't stand the aggressive competitiveness and the yobbish fans, and dropped out of all those activities. I hope that I can avoid all that in this rejuvenated period of my life.
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All good things must come to an end, and with enormous gratitude for their presence and acceptance of their departure, I've had to bid Lara farewell from her stay at The Rookery (but soon enough, I'll visit Mr Blue Sky in Darwin). During this week we caught up with some of Lara's friends for an evening at 123boom, a sort of live-action video game, and for our the anniversary of the third year of our meeting we went to Leftbank for a long lunch with paired wines and, then to the Yayoi Kusama exhibition at the NGV. Kusama's interest in the detailed life of plants to the erotic (and ultimately pumpkins) is really quite wondrous and appropriately a little disturbing at times. With the exception of a rubbish period when she played with abstract expressionism, her artistic life is really quite exceptional.

The weekend also included an evening in the company of Tim B., and Kitty OF, friends and family. It is well over thirty years that I've known Tim, albeit the distance between Melbourne and Sydney separates us. No time was wasted in ensuring a quality catch-up and I am personally required to reciprocate the visit. The following evening went to Justine M's birthday-cum-2nd housewarming in Thornbury, another great evening of motorcycle adventure videos and superb conversation, before making my way to Carla's birthday gathering whose second part was at a karaoke bar - excellent company, but that wasn't really my style of bar.

One matter that is outside of this active artistic and social update that I must mention is an update on the Gamers for Isla fundraising campaign. With about three weeks to go, this has exceeded the initial and modest expectations that I had set - around $5000 was my target. This was reached in 14 days, so a new target was then set at $7500, which was reached in in 28 days. So a new target was set at $10,000, and it seriously looks like that's going to be passed in the next couple of days. Sometime this week, I'll have to collect the incredible donation of six boxes of games from Simon S., many quite rare and collectable, who is deserving of great accolades for this generosity. One thing for certain; we've made a difference, and Isla's scholarship will receive the positive start that I wanted to see.
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With a history and continuing engagement in the political process and with formal work and study firmly based on the sciences, my aesthetic side has usually been one of an amateur critic. True, there is something like forty years in this role with my considerations of music, film, theatre, comedy, literature, painting, and (especially) games making their way across a variety of publications; "Metior", "Phantasmagoria", "Mimesis", "Festivale", "RPG.NET", "RPG Review", "Ticonderoga", "The Dwarf", "Rocknerd", even "The Polish Journal of Aesthetics", and probably several more if I put my mind to it. I've even made an effort to compile the reviews, but with the numbers in the hundreds, I still have quite a long way to go. Despite all this, my own contributions to the aesthetic world have been quite modest. I think there's a couple of awful youthful-goth poems somewhere in Metior, but more substantially a publication from Iron Crown Enterprises, "Rolemaster Companion VI" (it sold 10,000 copies and has become something of a collectable), "Papers and Paychecks" and "Cow-Orkers in the Scary Devil Monastery" (with a resistentialist setting), and a rather dry and factual chapter of "Fox Magic" (Japanese kitsune). This is perhaps unsurprising given my interests, but it also comes with more than a hint of theoretical grounding; Murdoch University was flexible enough that, as an undergraduate, I was able to engage in my own accredited research project ("Independent Study Contract") as a course, on roleplaying and simulation games.

In the past season, however, I have started to engage with more standard aesthetic theory, including the Augsburg University course on Udemy and now the University of Edinburgh's courses on music theory. Simultaneous to this, there have also been studies in "Modern & Contemporary American Poetry" from the University of Pennsylvania. The practical grounding of such theory has, I will now admit, led to recent practice. I have submitted poetry and prose to a few US and UK journals, dealing with delightful subjects like violence against children, cancer and suicide, parochial loyalties with genocide and such topics. Further, I have started writing a collection of Gothic Nursery Rhymes, including "Three Tough Rats" (piano) and the beginnings of Edward Gorey's "The Gashlycrumb Tinies" (piano and cello). Because I'm close to mad and love working with text, I've been working heavily through MusicXML files directly. It's the way of the future. All of this is, of course, a precursor to the larger and more serious scientific-music project I have in mind with Mel S. But that's for the second half of the year.

Putting a more practical hat on, I've had a recent discussion and decision with my old friend Liza D., (goodness, it's been around 25 years!) and agreed to act as the producer for an upcoming comedy show she wishes to perform. Liza has a long history in this artform, decades even, whereas I've decided that the similarities between production and project management are simply too great to ignore. Liza has also been kind enough to give me her old set of Casio CTK 2100 keyboards, which really is just for fun. I have minimal skill in such a thing (scales using passacaglia form is my beginner's work), but I've never intended to be a performer. Or, for that matter, to even consider making a living from such activity. Information technologies and market structures are not friends of the artistic community, and dare I suggest anyone who thinks otherwise is almost certainly destined for a lifetime of a meagre income at best
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Over the past few days, a significant number of people - around the four-hundred mark - have reached out to me to offer birthday wishes. The experience was quite beautiful and affirming in the sense mentioned by Erich Fromm: "love [is] a spontaneous affirmation of others on the basis of the preservation of the individual self", forming a bond of solidarity between the self and others. One does not seek affirmation (because that reduces the self to seeking approval from others as a directive), but rather one acts according to learned virtue without expectations, but nevertheless is joyous when affirmation is received. Which, in my own reflective way, is to express my deepest thanks and gratitude to all of you.

The day itself was relatively low-key, but I do like stretching it out into a week of celebrations. A good portion of the day and even the past week has been spent in the company of a young musician of quite incredible talent, Lani, who has also recently taken up paralegal studies. In the evening, Erica invited me over to watch Hayao Miyazaki's newest film "Kimi-tachi wa Dō Ikiru ka" (titled "The Boy and the Heron"), which literally translates as "How Do You (all) Live?" One is charmed by the autobiographical elements and, of course, the thematic bravery - it asks the fundamental question of what each of us is doing with our lives and how we treat others. Pretty appropriate viewing on one's birthday, really.

Last night, I attended the opening exhibition of upcoming artist Sarah Jennifer's "Opulentia" at Chapel on Chapel. I spent a good portion of the evening chatting with the artist, who seemed quite excited by the fact that she had accidentally made some highly appropriate popular culture references from the 1980s in her works. Her style is one of the great sweeping arcs, bright colours, and abstract surrealism, and I hope to attend the exhibition again soon.

To finish off the week tonight, I was a guest of the Chinese Consulate, attending a reception at Kooyong Tennis Club for the Chinese New Year. It was, as it always is, an astoundingly well-organised event with a truly impressive array of speakers, attendees, and performers. I was quite delighted to spend a good period of time with an old friend and former minister, Luke Donnellan. It's a long time since I've seen him, and he rather looks like a stylish older Roy Orbison these days. Another person whom I met for the first time and spent a good period of time talking with was Andrew Irving, General Secretary of the Communist Party of Australia. I am sure we'll be having a few more discussions in the future.
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Following my return from the tragically sad events in Perth, I have found myself attending a variety of aesthetic events. This started when Erica H. saw the University of Melbourne's Faculty of Fine Arts put on an opera "Hänsel und Gretel" at the rather impressive new Union Theatre. Sung in German (with subtitles), with a set and costuming that was both minimalist and complete, Lisette Bolton (as Gretel) and Metehan Pektas (as The Witch) were especially excellent performers. Two nights later I was taken out by Fiona C., to "The War on 2024 Annual Comedy Gala" at Hamer Hall. The comedians included Australia's best, led by Mark Humphries, with all providing a thorough satirical and scathing review of the major political news headlines of the past year. Political comedy always has been among the bravest of its art because it channels the discontent of the people as ridicule to those with power, and this was no exception.

The Australian Centre for the Moving Image (ACMI) has been hosting a series of events relating to Icelandic performer Björk. After spending a day out with Mel S., and Erica H., I ventured to the venue to drift off into another world, with Björk’s narrating the documentary "Fungi: Web of Life 3D" where the information, filmography, and narration were all of excellent quality. On Monday, I repeated a visit with Erica H. and Angela M. to see Björk in a starring role for the peasant-class medieval drama "The Juniper Tree" which came with a challenging realistic portrayal of a low-fantasy story. I note with some excitement that ACMI is also currently hosting a "Future Fictions" exhibition, which includes set items and art from "Cyberpunk 2077" and "Blade Runner 2049" and, to stay on theme, more content from Björk, this time in the form of her clothing from "The Gate".

Between this, I ventured out to see "The Garbage and the Flowers", a low-key alternative rock band, at the Tramway Hotel. In the process, I caught up with Guy B., an old Perth friend (and friend of Peter Lyons), and briefly with Ruby M. Last year's EP by said group was sufficiently good that this caught my attention, and I've composed a review covering both the EP and the live show on Rocknerd. Afterwards, I travelled to Springvale to attend the 30th Anniversary Gala Dinner of the Fujian Chinese Association. Attended by around 500 people, the event included a delegation from said province, several state and Federal MPs, and a former Australian ambassador, a notable juxtaposition from the previous event. In my role as ACFS (Victoria) President, I gave a short speech. It must be said that in my experience, these associations really know how to put on an event; the endless stream of superb performances, dancers, singers, etc, was only matched by the equally endless stream of culinary delights.

To finish it all off (temporarily), last night I had Maggie S., over for dinner. Maggie, now long retired, has a rich history in journalism through ABC (where she had a major role in the famous music show "Countdown") and as the Melbourne editor of the magazines "Cosmopolitan" and "Vogue". She entertained me with stories of her interviews and the often challenging chaperoning of various musicians from the 1980s, including Deborah Harry, Andrew Ridgeley, Billy Joel, Boy George, and many others. We spoke a great deal of the notorious wildness of mind common among those with aesthetic inclinations and the problems this may cause, and yet also recognition that art has a healing power. For all the losses of those dear to our hearts, there is still the hope of beauty, justness, and truth in this world - and that is worth fighting for.
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The past week, in addition to my usual work, has consisted of my annual series of five guest lectures for the UniMelb master's level course, "Cluster and Cloud Computing" which covers supercomputing from a high level, the local system, job submission, parallel programming, more than enough Python, and a modicum of Linux commands. The course coordinator and I had some discussions about how the education system is prepared to teach the intricacies of object-orientated programming, but core operating system commands are learned by osmosis. After all this comes the marking of the 380 students enrolled this year. In addition, I have three days of workshops to run next week, with much greater detail and with the addition of regular expressions into the mix.

I have been blessed by a few occasions this week with a visit of my dear Darwin friend, Lara D. Hilariously, we met at the airport at 12.30am on Saturday morning, as her plane from Darwin arrived at the same time as mine did from Townsville. Shortly afterward we found ourselves visiting the Triennial exhibition for what must be the fourth time or so for myself and later in the week it was off to the Da Vinci (and friends) exhibition at Lume, which is another impressive show (although I twitched a bit on a misattributed quote, which is sloppy of them), with VR flyovers, drawing classes, a lovely cafe, and Lume's signature immersive experience of art and music, in this case mainly 19th and 20th century Italian operatic.

On a more culinary and personal aesthetic dimension I hosted a very nice dinner for Liana F., Julie A., and Erica H., during the week which included confit byaldi, the signature dish from the film "Ratatouille", which turned out pretty well for my first attempt at this; it looks fancy, but it's pretty straight-forward). Another event of note was attending Anthony L's wonderful annual gathering at "Life's Too Short", attending with Ruby M. We took the opportunity to visit the NGV at Federation Square beforehand with the wide collection from the Joseph Brown collection. Anthony, as host of his event, noted that it was International Submarine Day and offered plentiful AUKUS-based "yellow submarine" cocktails (rum, tequila, citrus, with more than a dash of imperialism). It dovetailed well with my attendance the day prior at a Labor Against War meeting with former Qld Senator Margaret Reynolds visiting in support.
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It appears that I have landed in Sydney to attend a particularly important nerd-fest, Supercomputing Asia 2024. I'll be giving two, thankfully short, presentations at this event: "HPC Certification Forum & Skill Tree: An Update" and "HPC Training Generates HPC Results". In accordance with my tastes, I'm staying in a budget hotel (Siesta Sydney) which is close to the conference and has good amenities, albeit with a bed that's far too soft. Today was spent entirely with the IBM Storage Scale User Group which discussed the many complexities involved in having storage that's big, fast, and robust. It all dovetails quite nicely with a visit from HPC sysadmins to our workplace from Princeton University, with whom we shared information about implementations of Mediaflux. Supercomputing is a curious profession I have fallen into for the last 17 years; it comes across as rather niche, at best. But it touches and improves our lives in so many ways across healthcare, materials, engineering, and more. The return - almost entirely externalities - is an extraordinary $44 per dollar invested. Supercomputing is perhaps the most remarkable form of social infrastructure that we can invest in and yet is also so indirect and distant from most people's lived experience.

Before my departure I managed to get a few social events in; Erica H., joined me on Saturday for my third visit to Triennial at the NGV, and I still think I could go again. On Friday, I was party to a delightful sunset dinner evening with Julie A., and Liana F. (Julie's cake was quite impressive!), and we ended up playing "Munchkin" until the small hours. Apropos such events, last Saturday week enjoyed a games-day with Chester and Balaram for the amusing and high-speed "silent cooperative" game, "Magic Maze". Further, this coming Saturday is the Annual General Meeting of the RPG Review Cooperative, Inc., at the Rose Hotel in Fitzroy; our AGMs are short, the social event is always enjoyable.
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I am now down to the final week of editing the 15000-word research project for my Master's in Climate Change Science and Policy, following that and a short presentation on the topic, that will be the conclusion of that degree, although I strongly suspect what is the beginning of a lifetime of further study and activity on the subject, starting with the initial subject of my research project; climate change impacts, adaption, and financing for Pacific developing nations. As much as climate change mitigation is absolutely necessary to prevent future impacts, some impacts are and will occur regardless - hence the need for adaptation. For the Pacific, we are talking about nations that have contributed very little to greenhouse gas emissions (both in absolute and per capita terms), but will feel the brunt of its effects; the moral principle of torts should apply.

In my working life, I have two impending HPC-related trips interstate pending in the next two weeks. The first is a visit to Sydney for Supercomputing Asia, where I have a presentation to give as part of the international HPC Certification Forum and a poster on HPC training metrics and usage. Apparently, if you train people, they submit many more jobs - who knew? Two weeks after that, and with an interesting dovetail with my studies, I'll be spending a week in Townsville conducting training workshops at the Australian Institute for Marine Science; it's been almost ten years since I've visited said people and it's pleasing to see that some of the staff are still there!

Even with all this on the agenda, I have had some opportunities for social occasions. Liana F., and I caught some the Triennial exhibition that's on at the NGV, which makes me want to go again, and for Invasion Day we went to Connection at Lume; our third visit to said exhibition. On Wednesday night I received an impromptu ticket to see the Pet Shop Boys' movie "Dreamworld" with Robbie K, which I observed featured quite a demographic of men of a certain age and greater than zero on the Kinsey Scale, and on Tuesday night caught up Nathan B., who is visiting from interstate with a lovely collection of old and true friends at Naked for Satan. For someone who is finishing a master's project I've had zero evenings this week when I've been in my own company; possibly not the most sensible decision, but I'm rather glad that I did manage all this.
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Late last week I took a couple of days off work (they keep telling me to reduce my outstanding leave) to go on an Avatar Mountain business planning session with Anthony L., and Robin M., at the RACV Country Club in Healesville. We explored a number of the immediate environmental issues facing Pacific island states as well as longer-term projects, noting how the latter seems to have some fairly interesting players engaging in what appears to be a bit of a land grab under the supposed marketing of environmental protection. But of course, imperialism has always pretended that it was for the benefit of the colonised. The resort itself was of very good quality and in pretty nice surroundings; the bed came with its own tribble, and I was pleased to be woken by a baby magpie on the balcony. The following day was the AGM of the ACFS, where Anthony and Robin stepped down from their many years of service as president and secretary, respectively, and I had the opportunity to give a presentation on last year's conference in Suzhou, but also extend discussion to the much wider issue of China and the global climate which generated a lot of interest. I took the opportunity to suggest that the "Two Mountains Theory" of environmental protection coupled with economic development, also needed to be extended to a "Two Roads Theory" for international trade and infrastructure.

Outside of such formal activities, on Friday night Liana F., took me out to the "Motley Bauhaus Burlesque". The style was more arthouse burlesque, as fitting the venue and clientele, although I must say that the MC's outfit of an almost square-shouldered suit jacket, ruffle shirt, and giant red beret was getting pretty close to the classic Bauhaus clothing style and their sense of performance. The following night Julie A., who has just finished her psychology degree and was feeling in a celebratory mood, invited us out to Creature Bar, which has a good sense of horror-movie aesthetic and plenty of board games. We ended up playing Scrabble over a couple of wines; Liana, whose life has been associated with this game (her mother was a state champion), managed to score more than both Julie and I put together. Tonight Erica H., visited for dinner and a quiet evening of "Star Trek: Enterprise", which we have been slowly working through together. Although it is a bit of a middling series and story, and terribly socially anachronistic, one cannot help but be impressed by Jolene Blalock's performance and style as the Vulcan science office, T'Pol.
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For the sake of inclusion and opportunity, I will count the seasonal feasting with gaming with the younger folk at Ru's Crew in Fawkner for the Solstice. It was another afternoon of the Root board game with about ten people playing or otherwise in attendance and this time I played the "Corvid Conspiracy" which is deemed almost impossible to win, on the grounds of their predictable pace. The afternoon was successful for the dual-player Vagabond with a strong finish. In between turns, I enjoyed discussing worldbuilding with Andre, who is designing a world with many tectonic plates (which slotted in quite well with my interest in the physical geography of the Pacific).

True to the Germanic Christmas tradition, Erica H., came over on Christmas Eve (Heiligabend), where I had prepared quite a collection of culturally-appropriate food (I do think the Germans do Christmas well) for that evening and following days; Eier in Senfsoße, Schwäbischer Kartoffelsalat, Käsespätzle, Rösti mit Pilzen und Parmesan, Frankfurter Grüne Soße, and Pflaumen-Blaubeer-Sorbet. We also had a second Xmas dinner Part II last night. Between these, I went to see Anthony L., and Robin M., for what was advertised as a "grazing" event but ended up being a four-course dinner, plus grazing items, with Wesa C., Matthew W., and Sarah also in attendance. The following day attended an actual grazing event with Alison B., at the home of Lucy Sussex and was charmed to catch up with Jenner, of Doc Rat fame, whom I hadn't seen for at least 15 years.

Yesterday I caught up with Mel S., and she led the way to the northern suburbs for an epic op-shop run, which included surprisingly good music at each point of the venture. I think we covered 10 establishments in total, spread out over almost six hours and over ten kilometers on foot. With a hearty breakfast of the leftover Käsespätzle, this morning I ventured out to see the delightful Lara D., who is visiting from NT. True to style, we made our way through the day by visiting three bars (Arbory, Whiteheart, Her Bar), and attending two events. The first was "Marshmellow Laser: Works of Nature" at ACMI, which was a scientifically-informed digital artwork, and the second "Monopoly Dreams" dedicated to the famous boardgame. Our consensus was the former was the superior of the two, whereas the latter did have some interesting trivia about the game, it was more of an arcade experience. I noted that they studiously avoided mentioning the radical origins from "The Landlord's Game", or their attempt to sue the producer of "Anti-Monopoly".

I must confess that typically my cheery spirit in the season and gregariousness amongst company belies a deeply morose streak. This is mainly generated as a result of my deep and continuing consideration of those for whom the season can bring little cheer due to their circumstances with a proportional juxtaposition to the festivities. The happier the company, the greater the feasting, the more I find my mind and spirit in is in "the house of mourning" (Ecclesiastes 7). Certainly, I have not forgotten that house; and who Would, with the state of affairs in Gaza and Bethlehem being bombed on Christmas Day itself? I believe the key difference is that I have reached a certain sense of security within myself that I am personally doing enough. As much as I can encourage the betterment of the world if they do not heed the clarion it is up to them to realise for whom the bell tolls.
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Several years ago I watched the modern science thriller "Gravity (2013)" on the small screen as in-flight entertainment and thought how wonderful it would be to see it on the big screen. Well, this evening I had that opportunity with Martin P., as we saw it at iMax in 3D. It really was everything I hoped for; hard science, the beauty of space, and the absolute disorientating terror of the environment. It follows another evening of aesthetic entertainment, as Liana F., and I visited Connection at Lume for the second week in succession with its rather amazing collection of immersive indigenous art and music. This time we also dined at the in-house restaurant, Mirri.

Last weekend I attended the Voice rally in Melbourne, an optimistic and powerful march of some 30,000 people. Meanwhile the cooker-wing of the "No" campaign had their own rally in the city today, attended by a few hundred conspiracy theorists and Neo-Nazis. In a much less partisan position, the ABC has produced a really simple handy guide on what the constitution and the referendum actually is (it's a handy response to my own survey that more than 97% of "no" voters, didn't know what the amendment was.

This week I have also received some feedback from the first round of assessment in the second trimester for my climatology degree. My paleoclimatology essay on the Younger Dryas and Atlantic Meridional Overturning Circulation (AMOC) received a B - the content was A grade, and the writing was a C - it's not the first time I've encountered an academic assessor who has struggled with my style. On the other hand, my annotated bibliography for climate change mitigation in the Pacific received an A+. I am still waiting for the results of international climate change policy, and climate adaptation. Hopefully these will be received soon.
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A good portion of this week was spent working on a 3,000-word essay - with 60 references - for the paleoclimatology paper (goodness, I've fallen into Aotearoa New Zealand parlance). My chosen subject was comparing the Younger Dryas, the last stage of the Pleistocene, with the Atlantic Meridional Overturning Circulation (AMOC), especially in light of a recent paper that posit an impending collapse of the AMOC through the same mechanism as is commonly believed caused the Younger Dryas (i.e., a sudden influx of freshwater). If such a collapse were to occur one could end up with a situation where land and atmospheric temperatures increase, whilst the North Atlantic Ocean temperatures would fall - and there would be global ramifications. Interestingly, studies on the AMOC are most paleoclimatological as well, given that it's only been in the last twenty years that we've had an instrument record. Anyway, the essay will be followed up in a few weeks with an accompanying presentation.

Another form of connection between the prehistoric and modern occurred last night when I visited the Connection exhibition at Lume with Liana F. This is the third such event of theirs I've been to (along with Van Gough and The French Impressionists), it was really quite an impressive experience, expressing the deep and even religious connection of people to their land (broadly defined), and yet again with a combination of immersive and gallery artwork, accompanying music, interactive pieces and more. I was sensible enough to purchase "unlimited visit" tickets, so another visit mid-week is in order. One thing that really struck me was the disproportionate number of people from a non-European background that were present (based on phenotypical characteristics) - African, Indian, and Southeast Asian.

A related matter is the ongoing issue in the Voice campaign. I've had a number of interactions with "no" voters over the past few weeks. Based on these I started asking the question: "Do you know what you're voting on? The actual words to the constitutional amendment?". Of the 118 I surveyed (yes, really), over 97% could not give the correct answer, or even something close. Given that the 'no' campaign has now been caught out for instructing their volunteers to literally lie and sow confusion, one wonders what this means to the principle that an effective democracy depends on an informed public sphere, rather than one controlled by demagoguery.
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With the final grades received for the final course (with a solid B), I am now a GradDipAppPsych, I just have to wait for the stiff piece of cardboard. I rather wished it had delved more into neurology rather than organisational, developmental, and social psychology, but that's fine. Results are also coming in for the first trimester of my Master's in Climate Change Science and Policy and thus far I received two "A" grades for the final assignments in Climate Pricing and Political Ecology and also (based on my calculations) for the courses overall, with Environmental Law and Physical Basis for Climate Change still pending. It's somewhat amusing to think that I've finally found my life's calling this late in life, but I should have a few decades left and will hopefully make a difference.

With these results and with no essential study to carry out, I've spent the past few days engaging in some aesthetic pleasures because I do love beauty for its own sake. It a sense this little adventure started about two weeks ago when I ventured to see the Rembrandt exhibition with Alison B; I am not overly-enamoured by Rembrandt's style or technique in painting but do recognise his truly impressive contribution to etching technologies. Whilst we were present we caught a presentation on "Pierre Bonnard: Designed by India Mahdavi", which led to a visit last night with Liana F. whose intimism transitioned from impressionist to modern styles. Mention must be made of Mahdavi's excellent design for the extensive exhibition.

Betwist of these events, I also had a visit from Lara D., who is visiting Melbourne for family reasons. "I knew to see you for cultural events", she opined. On her suggestion, we went to the "Shadow Spirit" First Nations art exhibition at the beautifully dilapidated old Flinder's St Station ballroom, which was truly evocative through mixed media. After that we ventured to "Lightscape" at the Botanical Gardens, which was a lovely walk in the park, coupled with wonderment and, it must be noted, attention to detail by the designers. Finally, on Thursday night I was taken by Maggie S., to Graham Geddes Antiques in the sprawling showroom for their recent Italian shipment, which was rather like a well-catered and visually impressive gallery opening (as the invite said, "bevande i divertamento pur tutti"). Plus, I suspect we made two new friends there.
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In an attempt to be social and get into the spirit of the month, I hosted a "Mad as Mad March Hare Hatter's Tea Party", which was attended by Wesa C., Rob and Angela L., Nitul D., with Maggie S. and Erica H., joining in later on. It featured readings from m ancient and well-loved copy of "Alice in Wonderland etc", including "The Mad Hatter's Tea Party" (of course) and "The Caucus Race" (for our visiting politician). Courtesy of Erica, there was even some Alice In Wonderland-themed tea, and Nitul added to the collection with a truly excellent Tassie Devil brand. Foodstuffs by yours truly were in the style of an English tea party - savoury pikelets with salmon, sandwiches (cucumber or egg salad, with cream cheese, white bread, in thirds, no crusts of course), and Rob plied us with his Rookwood Absinthe until we were all off with the fairies. Almost needless to say, an excellent afternoon of a wide-ranging conversation, and again Angela left me slack-jawed with her ability to recite with error veritable of Shakespeare.

The Tea Party was the conclusion of a couple of other social events I had been to over the weekend; the night previous I attended a vaudeville show (cabaret, music, comedy, stunts, burlesque) at Speakeasy HQ with Liana F., which really was thoroughly entertaining. We were quite keen on seeing the burlesque, but I think the comedy won us over - both of us have reasons to need a bit of a laugh and the combinations of absurd prejudices and puns were delightful. The evening previously I briefly visited the opening night of "Radical Utopia" at the RMIT Gallery, which was about Melbourne in the 1980s - as a semi-regular visitor at the time, the idea rather intrigued me, but it was neither particularly utopian nor radical - although they did have a Sinclair Spectrum on display which, in my opinion, was radical and utopian. A computer you could carry in your pocket! In 1985 that really was quite an amazing thing to do. Who would have thought that we'd all be doing it now?
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My birthday weekend was a very pleasant one, and I deeply appreciate the messages, phone calls, etc from the c250 people who contacted me (as is my want, I responded individually). The day itself started with cat rescue; Erica H has been visiting for a few days and her cat Eadrick decided to leap from the balcony to the apartment patio directly below - which is very rarely occupied. I managed to work around the fence from a kind neighbour and rescue the wayward feline. Later in the day we went to the Monet and Impressionists Lume exhibition and spent quite some time there. It was, of course, very beautiful as the style of the Impressionists. It is especially notable how dependent even art is on technology; the Impressionists simply wouldn't have existed without the invention of the paint tube; it was this that allowed them to directly engage in nature and pain "en plein air". Much of Saturday was in the company of Brendan E., where we watched the Chinese action film, Operation Red Sea, loosely based on the evacuation of foreign nationals from the Yemeni civil war. There wasn't much in terms of character development, and there was some light propaganda, but mainly it was action and technology, both of which it did very well at. Yesterday I further engaged in similar activities with a visit to the NGV with Dr Bec, whom I had hitherto not spent much time with in the past and really enjoyed our conversation on data science, among other matters.

It is now, of course, the LNY which is either a rabbit or a cat, with the latter for the Vietnamese communities. It does make me wonder about calendaring systems in general. It would delightful if our planet had a neat 360 day year, with four seasons and the solstice and equinoxes fitting into a nice 90 quadrant, and the moon going through a neat 30-day cycle twelve times a year. As an young adolescent I even played around with the notion of 12 30-day months and a five day festive holiday (equivalent of Glorantha's "Sacred Time") as an alternative calendar (and, of course, with the additional leap-day as appropriate). Earth and the moon are not, of course, so exacting. The orbital period of the Earth is 365.25636 solar days, and the synodic lunar month is 29 days 12 hours 44 minutes and 2.9 seconds. It's all a bit of a delicious mess with many attempts over the course of human history. Even with our advanced technologies, there is still variation between Coordinated Universal Time (UTC) and International Atomic Time (TAI). What is the time? Imperfectly defined, but "vivre sans temps mort" should be an aspirational motto.
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Major events this past week have been across the political and aesthetic dimensions. I have signed up for campaigning in the state seats of Albert Park and neighbouring Prahran, and speaking of neighbours, I was interviewed for the local newspaper as part of a "meet a neighbour" column (the quotes and content aren't exactly 100% accurate, but close enough). Apropos the election, it is fascinating that there is less than two weeks left in this state election, it's been so quiet. This election does have a couple of interesting quirks; the main one which worries me is that the opposition has been taken over by ultra-conservative theocratic types, who really want to recriminalise abortion, voluntary euthanasia, re-allow conversion therapy, etc. The Greens have a problem of a different matter; Labor's introduced the sort of social and environmental policies in government that the Greens have argued from the security of a protest vote. The conservative fear slogan: "Vote Labor, get Greens" is a rather ironic one in this context. The state Labor government has managed to provide progressive civil rights, an employment-based approach to the environment (renewable energy production, mass transit), and the best performing economy in the country.

Apart from political engagements, there have been multiple aesthetic-based engagements this week as well. I neglected to mention a "Big Band" event the week prior at the Ian Potter Centre; really not my style of music, but performed competently enough. Another gathering was a presentation on "Creative Technologies and Intertwined Innovation" at the Victorian College of the Arts, which included Stelarc, discussing some of his most recent activities in body-art and disembodiment. Finally, last night attended an orchestra performance with [livejournal.com profile] lei_loo of a selection of works from Joe Hisaishi, the musical genius behind many Studio Ghibli soundtracks, at the National Theatre in St Kilda, a beautiful and just-so-slightly dilapidated building. Like other Fever events, it was a little on the short side but otherwise a very good performance.

An earlier update neglected to mention that I attended (online) the 2022 International Conference on Green and Innovation-driven Development in Cities and Towns hosted in Wuxi, Jiangsu province, PRC. It was a pretty high-level affair, carefully scripted, but the home of where various "garden cities" have been introduced as a reality and with a first-order concern with improving the quality of life in urban environments. The speakers included a few of managerial-political types, but I was impressed by the number of engineers, landscape architects, and environmental scientists that were present. It also increasingly looks like I will be visiting Auckland again in a few weeks to meet up with a number of Pacific Islander representatives where discussion of climate change mitigation will be high on the agenda, which they know the need on a visceral level far greater than most.
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During the last trip to Aotearoa New Zealand, I stayed a couple of nights in Cambridge with a certain Matthew Simmons, whom I've known since he was CEO of a GPU-based storage company called Nyriad. Prior to that he had his own audio engineering business, mainly for high-end speakers, which is still doing plenty. And he even had the opportunity to do a TED talk on the subject of infrasound applications. Following this, I have started the actual content for the final unit in my psychology degree and it also, in the first week of readings, also includes a couple of very interesting TED talks. One is James Flynn on why our IQ levels are so much higher than our grandparents (he blames the increased prevalence of abstract reasoning). The second one is Lera Boroditsky explaining on how language really does alter thought-processes, now that the data is available. It's not quite a strong Sapir-Whorf hypothesis on a deterministic level, but it's certainly among the stronger arguments I've encountered.

The past few days have not been all work and study however; I was delighted to receive a message from my old friend Des J. on Saturday and we decided to venture to the National Gallery of Victoria; not that there was anything special on, we just want to look at art. The pair of us, both prone to a sense of the absurd, started describing the motives of characters in various artworks and it wasn't long before we'd gone completely Pythonesque in our assessments. Today, in a different manner, I was joined by Erica H., for a few episodes of The Sandman TV series. As an old fan of the comics ("graphic novels") from the late 1980s, I was, of course, concerned that a mess could be made of it, and thankfully it is doing very well so far. I think it's fair to say that The Sandman series, having been part of popular culture for over thirty years, looks destined to enter the realm of high culture as well. And no, I don't think it's a contradiction to say that something can be "popular" and "high" culture simultaneously.

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Diary of a B+ Grade Polymath

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