A couple of weeks ago, I made initial preparations for an upcoming trip to South America and Antarctica with my friendly neighbour Kate R., and last week, payments were made for said voyage. In addition to the tour's planned route to Lima, Cusco, Machu Picchu, Buenos Aires, Punta Arenas, Ushuaia, the Antarctic Peninsula, the Falkland Islands, Montevideo, and Buenos Aires (again), we've added a couple of nights in Santiago. To say the least, the trip isn't cheap by any stretch of the imagination, but there is a great deal of ruggedness involved on the itinerary, and volume makes a difference as well. There are many practical tasks to be undertaken between now and December, including improving my questionable competence in the Spanish language. I have smashed my way through the Pontificia Universidad Católica de Chile introductory course in Spanish over the past fortnight, at least in part helped by an existing "fairly good" B1 level on Duolingo.
Eschewing the numerous optional activities offered by the tour company that are not really to my taste, I am scanning attractions that suit my inclinations toward museums, art galleries, archaeology, natural beauty, and, in the South American style, anything relating to their surrealist and magical realist literary traditions. I already have firmly marked out "La Chascona", built by Pablo Neruda, who, apart from winning the 1971 Nobel Prize in Literature for his surrealist love poems, was also a career diplomat and politician. Another site of this ilk to visit will be the "Centro Cultural Borges" in Buenos Aires, dedicated to the mythologist, writer, and poet Jorge Luis Borges. This said, the pair of them come with certain controversies, as if often the case, the art and the artist make a troublesome union.
It seems fitting that so much of the trip will be an exploration of wondrous landscapes in reality, history, archeology, and the literary tradition of surrealism and magical realism, and, I readily admit, I will be drawing a great deal of this travel experience in writing my "Call of Cthulhu" project "Fragments of Time, Slices of Mind". As that is being written, I have decided to run a short campaign using "ElfQuest", based on the comic series by Wendy and Richard Pini with their palaeolithic and telepathic characters. In the most recent months, I have been quite involved in a game run by Andrew D., "Night's Dark Agents", which is a story involving modern European special operations teams versus vampires. Finally, on this trajectory and of marginal interest to anyone not deeply into the lore, I have picked up (at an incredibly cheap price) an unpunched copy of Chaosium's "Dragon Pass", close to fifty years old and in "almost new" condition.
Eschewing the numerous optional activities offered by the tour company that are not really to my taste, I am scanning attractions that suit my inclinations toward museums, art galleries, archaeology, natural beauty, and, in the South American style, anything relating to their surrealist and magical realist literary traditions. I already have firmly marked out "La Chascona", built by Pablo Neruda, who, apart from winning the 1971 Nobel Prize in Literature for his surrealist love poems, was also a career diplomat and politician. Another site of this ilk to visit will be the "Centro Cultural Borges" in Buenos Aires, dedicated to the mythologist, writer, and poet Jorge Luis Borges. This said, the pair of them come with certain controversies, as if often the case, the art and the artist make a troublesome union.
It seems fitting that so much of the trip will be an exploration of wondrous landscapes in reality, history, archeology, and the literary tradition of surrealism and magical realism, and, I readily admit, I will be drawing a great deal of this travel experience in writing my "Call of Cthulhu" project "Fragments of Time, Slices of Mind". As that is being written, I have decided to run a short campaign using "ElfQuest", based on the comic series by Wendy and Richard Pini with their palaeolithic and telepathic characters. In the most recent months, I have been quite involved in a game run by Andrew D., "Night's Dark Agents", which is a story involving modern European special operations teams versus vampires. Finally, on this trajectory and of marginal interest to anyone not deeply into the lore, I have picked up (at an incredibly cheap price) an unpunched copy of Chaosium's "Dragon Pass", close to fifty years old and in "almost new" condition.