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Connections: Prehistoric and Modern
Sep. 16th, 2023 08:22 pmA good portion of this week was spent working on a 3,000-word essay - with 60 references - for the paleoclimatology paper (goodness, I've fallen into Aotearoa New Zealand parlance). My chosen subject was comparing the Younger Dryas, the last stage of the Pleistocene, with the Atlantic Meridional Overturning Circulation (AMOC), especially in light of a recent paper that posit an impending collapse of the AMOC through the same mechanism as is commonly believed caused the Younger Dryas (i.e., a sudden influx of freshwater). If such a collapse were to occur one could end up with a situation where land and atmospheric temperatures increase, whilst the North Atlantic Ocean temperatures would fall - and there would be global ramifications. Interestingly, studies on the AMOC are most paleoclimatological as well, given that it's only been in the last twenty years that we've had an instrument record. Anyway, the essay will be followed up in a few weeks with an accompanying presentation.
Another form of connection between the prehistoric and modern occurred last night when I visited the Connection exhibition at Lume with Liana F. This is the third such event of theirs I've been to (along with Van Gough and The French Impressionists), it was really quite an impressive experience, expressing the deep and even religious connection of people to their land (broadly defined), and yet again with a combination of immersive and gallery artwork, accompanying music, interactive pieces and more. I was sensible enough to purchase "unlimited visit" tickets, so another visit mid-week is in order. One thing that really struck me was the disproportionate number of people from a non-European background that were present (based on phenotypical characteristics) - African, Indian, and Southeast Asian.
A related matter is the ongoing issue in the Voice campaign. I've had a number of interactions with "no" voters over the past few weeks. Based on these I started asking the question: "Do you know what you're voting on? The actual words to the constitutional amendment?". Of the 118 I surveyed (yes, really), over 97% could not give the correct answer, or even something close. Given that the 'no' campaign has now been caught out for instructing their volunteers to literally lie and sow confusion, one wonders what this means to the principle that an effective democracy depends on an informed public sphere, rather than one controlled by demagoguery.
Another form of connection between the prehistoric and modern occurred last night when I visited the Connection exhibition at Lume with Liana F. This is the third such event of theirs I've been to (along with Van Gough and The French Impressionists), it was really quite an impressive experience, expressing the deep and even religious connection of people to their land (broadly defined), and yet again with a combination of immersive and gallery artwork, accompanying music, interactive pieces and more. I was sensible enough to purchase "unlimited visit" tickets, so another visit mid-week is in order. One thing that really struck me was the disproportionate number of people from a non-European background that were present (based on phenotypical characteristics) - African, Indian, and Southeast Asian.
A related matter is the ongoing issue in the Voice campaign. I've had a number of interactions with "no" voters over the past few weeks. Based on these I started asking the question: "Do you know what you're voting on? The actual words to the constitutional amendment?". Of the 118 I surveyed (yes, really), over 97% could not give the correct answer, or even something close. Given that the 'no' campaign has now been caught out for instructing their volunteers to literally lie and sow confusion, one wonders what this means to the principle that an effective democracy depends on an informed public sphere, rather than one controlled by demagoguery.