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The Interview Meme: Question 1
The most excellent unsworn posted the following.
Damnable Weakness
I was going to resist. I was, I was, I was. Nonetheless:
If you want me to interview you--post a comment that simply says, "Interview me." I'll respond with questions for you to take back to your own journal and answer as a post. Of course, they'll be different for each person since this is an interview and not a general survey. At the bottom of your post, after answering the Interviewer's questions, you ask if anyone wants to be interviewed. So it becomes your turn-- in the comments, you ask them any questions you have for them to take back to their journals and answer. And so it becomes the circle.
Some memes are too much fun to resist...
And here we go... Question 1..
My response to unsworn
Oh yeah... A golden opportunity this one.. I can't think of a person better suited to give me some insightful and difficult questions...
Go on, interview me... Take your time.. This is going to be real good.
The Question
Don't worry, I'm going to space them out some. But first of all, something from your entry today caught my attention: "Genuine science fiction, the mythology of modernity, has hardly had sufficient time to develop many literary classics (Mary Shelley's Frankenstein, H.G. Wells' War of the Worlds are two prominent exceptions), yet anyone with a long term view of literary history should realize by now that only science fiction will create new classics in modernity."
So my first question is this: Do you agree with the above statement, and why/why not? (Bonus points for citing what you consider to be modern classics, and why)
The Answer
Heheh... I like this, one question at a time... Also seems that plenty of people want you to be an interviewer, perhaps
a new profession?
Anyway, answer #1:
As I wrote it for my PhD, one could presume that I agree with it. However, I made a small modification the moment after I posted it, changing the word 'new' to 'lasting'.
The literary profession has it's own definition of what constitutes a "classic", which is largely independent of the various subjective debates over aesthetic content. Strictly defined, a classic is literature that is still "in print", (i.e., being re-published and re-distributed) one hundred years after first publication. The "one hundred years" criteria is, of course, a rule of thumb, but the general idea is that if there are publishers around that still want to do new print runs of a something published one hundred or more years ago, there must be something in it that ensures lasting demand.
I'll be daring enough to suggest some of the components that make up this "lasting demand". In no particular order (in fact, preferably with each component equal); (i) the story must provide the reader an excellent description and sense of setting that avoids anarchronisms; (ii) the story must provide the reader characters with deep and multi-faceted personalities, motivation and development; (iii) the story must provide the reader a discernable narrative with extreme challenges; (iv) the story must provide the reader a moral theme that has universal appeal to all people and all times (and commonly aided by motif); and finally, a story must have a clear and/or interesting style.
No clearly much popular literature doesn't fit this criteria - it's designed to be temporary, for immediate rather than lasting consumption and as such "high art" criteria, such as what has been just described are often just ignored. Also, because the technological ability to produce and reproduce literature has substantially changed since the invention of that technology of modernity, the movable type printing press, the "rule of thumb" will increasingly be less important and stricter criteria will have to be considered in the future (e.g., are new websites containing the publication being produced for distribution two hundred years after initial posting?).
This is where it gets really challenging. If the central tenet of my doctorate is correct (and I think it is, otherwise I wouldn't have written it), the Internet is at least as important as the invention of movable type press - and that invention caused (yes, that's right, caused) the development of the modern state and economy, the industrial revolution and the mass change from a religious to secular mode of consciousness.
If the Internet has a similar effect (and perhaps we don't immediately see it because we're "in it"), it seems likely that in the far future that the literature of its genesis will be studied closely. This makes matters difficult because I am not satisfied with any of the "cyberpunk" classics. John Brunner's The Shockwave Rider is the closest possibility to fitting all the criteria, William Gibson's Neuromancer does pretty well too, but I don't think any are good enough to make the grade.
In other words, we're still waiting for the "epic" cyberpunk story. Writers, on your marks...
Damnable Weakness
I was going to resist. I was, I was, I was. Nonetheless:
If you want me to interview you--post a comment that simply says, "Interview me." I'll respond with questions for you to take back to your own journal and answer as a post. Of course, they'll be different for each person since this is an interview and not a general survey. At the bottom of your post, after answering the Interviewer's questions, you ask if anyone wants to be interviewed. So it becomes your turn-- in the comments, you ask them any questions you have for them to take back to their journals and answer. And so it becomes the circle.
Some memes are too much fun to resist...
And here we go... Question 1..
My response to unsworn
Oh yeah... A golden opportunity this one.. I can't think of a person better suited to give me some insightful and difficult questions...
Go on, interview me... Take your time.. This is going to be real good.
The Question
Don't worry, I'm going to space them out some. But first of all, something from your entry today caught my attention: "Genuine science fiction, the mythology of modernity, has hardly had sufficient time to develop many literary classics (Mary Shelley's Frankenstein, H.G. Wells' War of the Worlds are two prominent exceptions), yet anyone with a long term view of literary history should realize by now that only science fiction will create new classics in modernity."
So my first question is this: Do you agree with the above statement, and why/why not? (Bonus points for citing what you consider to be modern classics, and why)
The Answer
Heheh... I like this, one question at a time... Also seems that plenty of people want you to be an interviewer, perhaps
a new profession?
Anyway, answer #1:
As I wrote it for my PhD, one could presume that I agree with it. However, I made a small modification the moment after I posted it, changing the word 'new' to 'lasting'.
The literary profession has it's own definition of what constitutes a "classic", which is largely independent of the various subjective debates over aesthetic content. Strictly defined, a classic is literature that is still "in print", (i.e., being re-published and re-distributed) one hundred years after first publication. The "one hundred years" criteria is, of course, a rule of thumb, but the general idea is that if there are publishers around that still want to do new print runs of a something published one hundred or more years ago, there must be something in it that ensures lasting demand.
I'll be daring enough to suggest some of the components that make up this "lasting demand". In no particular order (in fact, preferably with each component equal); (i) the story must provide the reader an excellent description and sense of setting that avoids anarchronisms; (ii) the story must provide the reader characters with deep and multi-faceted personalities, motivation and development; (iii) the story must provide the reader a discernable narrative with extreme challenges; (iv) the story must provide the reader a moral theme that has universal appeal to all people and all times (and commonly aided by motif); and finally, a story must have a clear and/or interesting style.
No clearly much popular literature doesn't fit this criteria - it's designed to be temporary, for immediate rather than lasting consumption and as such "high art" criteria, such as what has been just described are often just ignored. Also, because the technological ability to produce and reproduce literature has substantially changed since the invention of that technology of modernity, the movable type printing press, the "rule of thumb" will increasingly be less important and stricter criteria will have to be considered in the future (e.g., are new websites containing the publication being produced for distribution two hundred years after initial posting?).
This is where it gets really challenging. If the central tenet of my doctorate is correct (and I think it is, otherwise I wouldn't have written it), the Internet is at least as important as the invention of movable type press - and that invention caused (yes, that's right, caused) the development of the modern state and economy, the industrial revolution and the mass change from a religious to secular mode of consciousness.
If the Internet has a similar effect (and perhaps we don't immediately see it because we're "in it"), it seems likely that in the far future that the literature of its genesis will be studied closely. This makes matters difficult because I am not satisfied with any of the "cyberpunk" classics. John Brunner's The Shockwave Rider is the closest possibility to fitting all the criteria, William Gibson's Neuromancer does pretty well too, but I don't think any are good enough to make the grade.
In other words, we're still waiting for the "epic" cyberpunk story. Writers, on your marks...
no subject
2. You're *still* working on your PhD. Is procrastination a big part of you life?
3. Do you consider yourself Goth or do you just bond well with the geek element?
4. Your childhood was fairly different from most people's. How do you think this has made you an individual?
5. What do you consider to be the most memorable experience you have had?